{"id":725,"date":"2021-05-30T09:04:00","date_gmt":"2021-05-30T09:04:00","guid":{"rendered":"https:\/\/vivaldiedition.net\/?post_type=portfolio&#038;p=725"},"modified":"2021-06-20T09:10:09","modified_gmt":"2021-06-20T09:10:09","slug":"vol-50-catone-in-utica-2012","status":"publish","type":"portfolio","link":"https:\/\/vivaldiedition.net\/fr\/portfolio\/vol-50-catone-in-utica-2012\/","title":{"rendered":"Vol. 50 \u2013 Catone in Utica \u2013 2012"},"content":{"rendered":"<p class=\"has-text-align-center wp-block-paragraph\">Vol. 50 \u2013 Catone in Utica \u2013 2012<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Available on :&nbsp;<\/strong><a href=\"https:\/\/lnk.to\/CatoneInUtica\" target=\"_blank\" rel=\"noreferrer noopener\">see links<\/a><\/p>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-_000652-58 .kt-block-spacer{height:60px;}.wp-block-kadence-spacer.kt-block-spacer-_000652-58 .kt-divider{border-top-width:1px;height:1px;border-top-color:#eee;width:80%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-_000652-58\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\" style=\"height:60px\"><\/div><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">CATONE IN UTICA, RV 705<br>Dramma per musica<br>Libretto di Pietro Metastasio<br>Teatro dell\u2019Academica Filarmonica di Verona, 1737<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Edizione critica a cura di Alan Curtis (Boosey &amp; Hawkes) Ricostruzione dell\u2019atto primo a cura di Alessandro Ciccolini Preparazione drammatica dei recitativi: Stefano Vizioli Variazioni e cadenze di Alessandro Ciccolini<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Topi LEHTIPUU, tenor \/ CATONE<br>Roberta MAMELI, soprano \/ CESARE<br>Ann HALLENBERG, mezzo soprano \/ EMILIA Sonia PRINA, contralto \/ MARZIA<br>Romina BASSO, mezzo soprano \/ FULVIO Emoke BARATH, soprano \/ ARBACE<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Il Complesso Barocco Alan CURTIS, conductor<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">The first performance of this opera was at the Teatro Filarmonico in Verona in 1737. In the words of Michael Talbot it is &#8220;an excellent specimen of the composer\u2019s late style in which unchanging Vivaldian elements combine with others taken over from the new Neapolitan style&#8221;.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">DISTINCTIONS : 5 de Diapason (octobre 2013) \u2013 Hi-Res Audio (ao\u00fbt 2013) <\/p>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-_b5b973-e9 .kt-block-spacer{height:60px;}.wp-block-kadence-spacer.kt-block-spacer-_b5b973-e9 .kt-divider{border-top-width:1px;height:1px;border-top-color:#eee;width:80%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-_b5b973-e9\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\" style=\"height:60px\"><\/div><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">OP30545<\/p>","protected":false},"excerpt":{"rendered":"<p>Vol. 50 \u2013 Catone in Utica \u2013 2012 Available on :&nbsp;see links CATONE IN UTICA, RV 705Dramma per musicaLibretto di Pietro MetastasioTeatro dell\u2019Academica Filarmonica di&hellip;<\/p>","protected":false},"author":1,"featured_media":729,"menu_order":26,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_vp_format_video_url":"","_vp_image_focal_point":{"x":0.53,"y":0.18},"_customify_content_layout":"","_customify_sidebar":"","_customify_page_header_display":"default","_customify_disable_header":"","_customify_disable_header_top":"","_customify_disable_header_main":"","_customify_disable_header_bottom":"","_customify_disable_page_title":"","_customify_disable_content_vertical_padding":"","_customify_disable_footer_top":"","_customify_disable_footer_main":"","_customify_disable_footer_bottom":"","_customify_breadcrumb_display":"","_customify_header_transparent_display":"","footnotes":"","_links_to":"","_links_to_target":""},"portfolio_category":[9],"portfolio_tag":[],"class_list":["post-725","portfolio","type-portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-operas"],"_links":{"self":[{"href":"https:\/\/vivaldiedition.net\/fr\/wp-json\/wp\/v2\/portfolio\/725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vivaldiedition.net\/fr\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/vivaldiedition.net\/fr\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/vivaldiedition.net\/fr\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":5,"href":"https:\/\/vivaldiedition.net\/fr\/wp-json\/wp\/v2\/portfolio\/725\/revisions"}],"predecessor-version":[{"id":733,"href":"https:\/\/vivaldiedition.net\/fr\/wp-json\/wp\/v2\/portfolio\/725\/revisions\/733"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vivaldiedition.net\/fr\/wp-json\/wp\/v2\/media\/729"}],"wp:attachment":[{"href":"https:\/\/vivaldiedition.net\/fr\/wp-json\/wp\/v2\/media?parent=725"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/vivaldiedition.net\/fr\/wp-json\/wp\/v2\/portfolio_category?post=725"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/vivaldiedition.net\/fr\/wp-json\/wp\/v2\/portfolio_tag?post=725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}